Mural
Product storyA collaboration platform with no single hero feature. The problem was choosing one workflow that proved the whole product instead of touring all of it.
Most B2B video covers the product and never makes the case for it. Apollo Studio writes the case first, then builds the video around it.
Trusted by the teams building B2B's best products
A product story, an explainer and an ongoing monthly series. Press play on any of them.
A collaboration platform with no single hero feature. The problem was choosing one workflow that proved the whole product instead of touring all of it.
A technical product explained to a non-technical buyer without flattening what it actually does.
An ongoing monthly series that turns each release into a steady drumbeat of content.
A B2B video gets judged on whether it makes the case, not on whether it covers the product. Most of them cover the product. They walk through what it is, what it has and what it does, and never say why any of that matters or why it matters now. The buyer finishes watching, understands the features, and still has no reason to act.
Walking through the interface shows what the product has. It never says why any of it matters, or why it matters now.
There is nothing to point at. So the pitch stays abstract, the buyer nods along, and nobody can repeat it afterwards.
Templated animation, stock footage, generic voiceover. When the video could belong to anyone in your category, it argues for the category rather than for you.
Cheap animation, no story, no founder fingerprint. The result feels like everyone else's.
A product explained in the wrong medium does not look like a format mistake. It looks like a product nobody can explain.
Infrastructure, a model, a data flow, a product that does its work somewhere nobody looks. Animation can hold a diagram still long enough to be read, and rebuild a product UI that is not finished yet. It also survives a redesign, because nothing in frame has to match the current build.
A customer saying it is worth more than a narrator saying it. A founder explaining why they built the thing carries a conviction animation cannot fake. Live action also tends to win where the buyer already knows the category and is choosing between vendors rather than learning what the category is.
Most launch films work that way: real people framing the problem, animation carrying the part of the product that has no surface, back to people for what changed.
Every format below is produced in-house, story-first, and built for B2B buyers. Motion design runs through all of them.
Communicate your product and its value in 30 to 60 seconds.
See explainer video productionEducational walkthroughs and demos that move buyers down the funnel.
See product demo video productionIn-person plus animation for the moment that only happens once.
See product launch video workReal customers on camera: the most credible thing you can show.
See testimonial video productionScroll-stopping creative built for LinkedIn and paid social.
See video ad productionBrand films, events, founder series, one-off briefs. We scope each one from scratch.
Projects range from $5,000 to $50,000+, all in. The number we quote is the number you pay, and nothing gets added once production starts.
Every project includes:
Pricing follows scope rather than hours.
Script and storyboard come first, and you approve both before we shoot a frame or animate one. Changing the case for your product is free at that stage and expensive once there is a finished edit to remake.
Usually that is the problem it removes rather than the mechanism it uses. The video opens there, where the buyer already recognizes something, and earns the right to explain the mechanism after.
The script comes first and the look follows it, so the product decides the treatment rather than a house template. It is also why we will not reuse a format because it worked for somebody else's product.
Cade takes the first call, sets the story direction and is still there at the final cut. Nothing is brokered out to a freelancer who was briefed once.
Eight things worth asking any studio before you shortlist it.
What a buyer needs to believe changes with the category. Each page goes into one.
For software teams whose product only makes sense once someone watches it work.
See workFor teams selling a model, where the thing doing the work is invisible.
See workFor teams moving money, where trust has to be earned before the product is explained.
See workFor security teams selling against a threat the buyer cannot see yet.
See workFor health tech and medical device teams whose script has to clear review.
See workFor firms whose product is expertise, with nothing on screen to point at.
See workThe questions teams ask before booking a call.
A B2B video production agency is a studio that produces video specifically for business-to-business companies, typically SaaS, AI, fintech, cybersecurity, and other tech categories where the buyer is sophisticated and the product is complex. The work tends to skew toward explainer videos, product demos, launch videos, customer stories, and ads built for paid social and sales enablement. Apollo Studio is a B2B video production agency focused exclusively on B2B tech.
A B2B video production agency handles the full creative and technical pipeline of producing video: strategy and story, scripting and storyboards, on-camera production, animation and motion design, editing, sound, and final delivery in every format the team needs: landing page, paid, social, and sales enablement. A specialist agency also brings context about B2B buyers, longer sales cycles, and how to translate complex products into stories that actually land.
Look for four things. First, real B2B specialization, not a generalist agency that occasionally does tech. Second, story-led work, not feature lists set to motion. Third, in-house craft (writing, production, motion) rather than work outsourced to mills. Fourth, a senior team that can move at the pace fast-moving B2B teams already work at. Ask to see work in your vertical, ask who actually does the work, and ask how they approach story before production.
A generalist video agency treats every brief the same way regardless of buyer or category. A B2B video agency goes deep on a narrower problem space (complex products, technical buyers, longer sales cycles), which shows up in scripts that genuinely understand the product, narratives built for sophisticated audiences, and creative choices made with the B2B funnel in mind. The output looks different because the inputs are different.
Projects range from $5,000 to $50,000+, all in, at Apollo Studio, with script, storyboard, production, voiceover, sound design and final files inside the number. Nothing gets added once production starts. Where a project lands in that range is scope rather than hours: how much gets filmed, how much is animated, how long the video runs and how many versions you need. Most projects land between $15,000 and $30,000. Published agency pricing in this category runs from roughly $5,000 to $50,000, with enterprise work at the top end.
About three weeks from kickoff to delivery. The storyboard takes about 72 hours, post-production alone can turn around in about a week, and a rush project has shipped in eight working days. The script and storyboard are approved before anything is shot or animated, which is what keeps the back half short.
It depends on whether what you sell can be filmed. Animation suits products with no visible surface, infrastructure, models and data flows, and it survives a product redesign because nothing in frame has to match the current build. Live action suits work where the credibility sits with a person, a customer or a founder on camera. Plenty of projects use both. Apollo produces both in house, so the question gets answered on the product rather than on what one studio happens to offer.
By finding the part of it a person can already feel, usually the problem it removes rather than the mechanism it uses, and opening there. Animation then carries the mechanism, because a process with no surface can be drawn even when it cannot be filmed, and a customer or founder on camera carries the part that has to be believed rather than understood.
Yes. We travel for shoots and have vetted crews in major tech hubs like New York and San Francisco. Because we run a lean, senior team, travel doesn't add much to your cost. You're not funding a bloated crew to fly out.
Yes, all of it. We focus on story-driven, premium content that builds brands, not template animation churned out to a price point. We don't cut corners, and every choice is made to maximize the video's impact.
Yes. We offer monthly retainers and also scope multi-video packages at a bundled rate. Per-video pricing is meaningfully better on a retainer or bundle than on a one-off. Teams producing video regularly tend to land here.

A 30-minute strategy session with Cade, our co-founder. We'll walk through your goals and outline a video strategy that fits your timeline.
Cade Biegel
Co-founder, Apollo
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